Is piracy to blame for “The Expendables 3’s” puny box office debut this weekend or were viewers ready to euthanize the film’s aging action heroes?
That’s the question Hollywood’s
asking after the thriller fell short of initial projections by roughly
$10 million, debuting to a paltry $16.2 million.
As the dwindling numbers trickled in over the weekend, studio executives privately pointed the finger at a leaked copy of the film that hit the internet three weeks before its debut and was seen by 2.2 million people.
“This is really a clear
situation where this had an impact,” said Phil Contrino, vice president
and chief analyst of BoxOffice.com. “It’s hard to measure, but the
ripple effect, not only of the downloads, but of the word-of-mouth that
spread as a result, can be seen in the soft opening.”
The film’s initial numbers are
the worst in series history. The original “Expendables” launched to
$34.8 million in 2010 while the second installment debuted to $28.6 in
2012. Still, some box office observers are hesitant to ascribe blame
wholly to the illegal downloads, citing franchise-fatigue after three
films in relatively short order.
“It got hurt,” said on rival
distribution executive. “You’d have to say there was an impact there.
But as low as the numbers are, there was a whole lot more going on.
There was some audience rejection. When you go to the well too many
times, you’re going to run out of gas.”
It’s also not clear that the
majority of people who downloaded the movie illegally would have paid to
see it in theaters even if it wasn’t available online, argues Rentrak
media analyst Paul Dergarabedian. Then there’s the continued strength of
“Guardians of the Galaxy” and “The Teenage Mutant Ninja Turtles,” which
still managed to do more than $20 million of business in their third
and second weeks in theaters.
“It’s such a crowded
marketplace,” said Dergarabedian. “Even taking piracy out of the
equation, it’s so much competitive than we thought it would be.”
“The Expendables 3″ was widely
seen as a litmus test for the impact that piracy can have on a film’s
prospects. Hollywood has tried to hit back against illegal downloading
in the past, backing controversial legislation such as The Stop Online
Piracy Act (SOPA) and The Protect IP Act (PIPA). When those bills
collapsed in 2012, undone by a grassroots backlash and concerns about
their impact on First Amendment rights, studios choose to speak more
softly. For the most part, their efforts have been limited to outreach
to Silicon Valley companies. Given “The Expendables 3’s” poor results,
those overtures may grow more intense.
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